In this short video, Katharina Matro, a high school teacher who works in Maryland but grew up in Germany, reflects on the benefits of confronting hard truths about the national past. The video was recorded for the American Historical Association’s “Teaching History with Integrity” project.
Matro refers in this video to a great line in the 2020 memorial address by Frank-Walter Steinmeier, the president of Germany: “This country can only be loved with a broken heart.”
We’ve somehow reached that the point in the summer when I suddenly have just four to six weeks left to finish planning all my fall courses. That means I need to find my focus and motivation … fast.
Typically, for me, that means reading things that could fire the imagination, generating excitement about what’s possible in the upcoming semester. This week, I’ve queued up a few freely available publications—open resources that don’t require access to a library (or venturing out into the heat).
For the sake of balance, though not necessarily contradiction, I’m also reading a brief appeal the English instructor John Schlueter wrote for the AAUP’s newsletter in 2019, called “In Search of What We Do”—together with a classic article that helped inspire it, Elliott Eisner’s 1983 essay on “The Art and Craft of Teaching.” Both of these texts warn against overly prescriptive and rationalistic (“teacher-proof”) theories of undergraduate education, which run the risk of making us forget that getting a college education is about liberating one’s imagination as a member of specific and dynamic communities of students.
Next, to assist with my effort to do a better job helping burned-out COVID-era students identify the importance and relevance of history—and perhaps also to teach U.S. history more persuasively in the current political climate—I’m studying the American Historical Association’s 2021 report History, the Past, and Public Culture: Results from a National Survey (PDF). This 112-page publication offers very detailed information for thinking with, as well as a series of ten summary statements on the “challenges and opportunities” the data reveal.
Finally, because I’m teaching at two Catholic colleges again this fall, I’m rereading a 1993 educational statement released by the Society of Jesus: “Ignatian Pedagogy: A Practical Approach” (PDF). Most history teachers, of course, don’t need to worry about the specific theological commitments than animate this text. But the Jesuit order has a 500-year tradition of conceptualizing education as an imaginative, reflective, and aesthetic enterprise that prepares learners to become leaders in the world. Though not a Catholic myself, I always find this text energizing.
In a distracted world …, and at a moment when there seems to be widespread public doubt about whether to continue supporting the study of the past as this organization has traditionally understood that activity, what is the future of history? There are many answers to this question, of course, and it is the job of the American Historical Association—and all of us—to offer those answers as effectively as we can to defend in public the continuing importance of history both in the United States and in the wider world. But for me, there is one answer that is arguably the most basic of all, and that is, simply: storytelling. We need to remember the roots of our discipline and be sure to keep telling stories that matter as much to our students and to the public as they do to us. Although the shape and form of our stories will surely change to meet the expectations of this digital age, the human need for storytelling is not likely ever to go away. It is far too basic to the way people make sense of their lives—and among the most important stories they tell are those that seek to understand the past. …
[T]he undergraduate classroom, far more than the graduate seminar, is where we take the results of our monographic research and place them in a much larger interpretive frame where we can show our students—and, by extension, our non-professional readers and ourselves—the larger meanings of our work. Original research is of course indispensable and lies at the cutting edge of disciplinary growth and transformation. But no one else will ever know this if we fail to come back from the cutting edge to integrate what we have learned into the older and more familiar stories that non-historians already think they know and care about. This is where we join other historical storytellers—journalists, novelists, dramatists, and filmmakers, as well as our academic colleagues in all the other historical disciplines—to keep asking what the past means and why ordinary people should care about it.
—William Cronon, “Storytelling” (presidential address to the American Historical Association), New Orleans, 2013