Qualities and Events in Storytelling

Values are the soul of storytelling. Ultimately ours is the art of expressing to the world a perception of values.

For example, alive/dead (positive/negative) is a story value, as are love/hate, freedom/slavery, truth/lie, courage/cowardice, loyalty/betrayal, wisdom/stupidity, strength/weakness, excitement/boredom and so on. All such binary qualities of experience that can reverse their charge at any moment are Story Values. …

Look closely at each scene you’ve written and ask: What value is at stake in my character’s life at this moment? … If the value-charged condition of the character’s life stays unchanged from one end of a scene to the other, nothing meaningful happens. The scene has activity—talking about this, doing that—but nothing changes in value. It is a nonevent.

—Robert McKee, Story: Substance, Structure, Style, and the Principles of Screenwriting (New York: It Books, 1997), 33-36

Here Goes Nothing Again

Classes start next week. I visited my new classroom today to check the equipment.

This semester, I’ll teach just two classes. Though that means I’m being paid less, it still comes as a relief after teaching five classes (in four preps) at three universities this autumn. It also probably means my students will have a better experience this time.

As for safety, we still have indoor mask mandates and vaccine mandates. One of my employers is requiring booster shots when eligible, too, and now is explicitly recommending—but is not, as far as I know, providing—high-filtration respirators (N95s, KN95s, KF94s, or FFP2s) rather than cloth masks. I plan to distribute several respirators to each of my students in the first week of class, partly through the generosity of my friend Dan Buller, a fellow educator.

In early December, when the feelings were still raw, I wrote privately about the experiences of Fall 2021. Here’s some what I wrote last month:

This semester has been about classroom survival, not excellence. Every teacher I’ve spoken with, at every kind of school, has said the same thing. Everyone is burnt out, and everyone is trying to figure out how to be back to “normal” in a semester when a global pandemic is still claiming people we knew. Most weeks this semester, I’ve been disappointed in every lesson I taught.

Much of the time, I have just felt … guilty. Truth be told, I don’t think I’m burnt out. But I am ashamed. I want to end this semester and never have to acknowledge it again. I want to bury it and pretend it never happened. The only thing it taught me about teaching in a pandemic is that teaching in a pandemic is bad.

But I did learn lessons from the fall semester that I’m going to try to apply this spring. I won’t expatiate upon most of those lessons here because they would be different at different institutions, in different courses, or for different instructors.

The most important lesson I learned is that the pandemic is getting harder for college students, not easier.

Leaving Extremism: What’s College Got to Do with It?

I posed a question here almost two years ago: Do humanities teachers know how to deradicalize their students? I was responding to reports about an alleged neo-Nazi terrorist who had received an expensive liberal arts education. (A New York magazine profile subsequently labeled him “the prep-school Nazi.” It also showed, however, that his involvement in the far right probably began only several years after he left college.)

I argued that the evidence for education’s effectiveness in combating extremism is, at best, mixed. We cannot assume education reliably prevents or reverses radicalization. However, this doesn’t mean education has no role to play in the deradicalization process. As I wrote a year ago, “People have to be given the tools to challenge and rebuild their own beliefs.” Thus, the question I was raising was really this: Do humanities teachers know what practices will give students those tools?

This month, I have been revisiting a 2018 book that shows, as a case study, why the answer is complicated. Deradicalization, this book suggests, simultaneously is and is not about education.

At the end of a year when American educators came under fierce attack for their efforts to fight racism, thinking clearly about this paradox seems more important than ever. So let’s talk about this book.

Continue reading “Leaving Extremism: What’s College Got to Do with It?”

God’s Not Dead, Just Away at College

Briefly noting this item from March 2021: Contrary to conventional wisdom, having a college degree makes an American substantially more likely to say they belong to a church, synagogue, or mosque. That’s according to Gallup surveys that have tracked religious affiliation over time.

Edited chart provided by Gallup

The religious affiliation gap between college graduates and non-graduates, which didn’t exist two decades ago, appears to be widening rather than closing.

As I’ve tried to show here at Blue Book Diaries many times, the conventional wisdom about higher education’s ideological effects in the United States is profoundly broken. That is due in no small part to the work of cynical pundits and professional surrealists, many of whom were happy to receive the benefits of education at elite universities themselves.

The relationship between higher education and religious belief is complicated, but simplistic narratives about supposed religious hostility and atheism in college don’t capture the typical American student’s experience.