At the U.S. Intellectual History Blog, I have a post today about Wilfred McClay’s 2019 United States history survey textbook Land of Hope: An Invitation to the Great American Story, along with the teacher’s guide co-written by John McBride. My essay is a companion to a more thorough review by Thomas D. Mackie last week.
We wrote our responses independently, but Mackie and I came to similar conclusions about what the book does right, what’s missing from its picture of U.S. history, and what we find strange about its understanding of the history teacher’s job.
The question my response poses, though not in these words, is this: Why do McClay and some other historians seem to think we are “condescend[ing] toward the past” when we teach history as if people made choices, they could have made different choices, others disagreed with their choices at the time, and their choices mattered?
Today, Vox published my first-person essay about safe spaces and trigger warnings. There’s a lot more to say—including some things that were actually in the longer draft. But I think what I wrote is a pretty good encapsulation of the reasons that I (and a lot of other American college instructors) find the current public discussion of these topics to be misdirected.
Here’s what I see as the heart of the matter:
None of them asked for a trigger warning. None asked for a safe space. If they had, they would not have been avoiding ideas. All my students have ever requested is a way to keep engaging with the content — all the content — of my courses, in spite of setbacks. In other words, they want to finish the work they started. …
Whether the debate over trigger warnings involves criticism within the academy or attacks from outside, it has contributed to popular clichés and ideological grudges that have little to do with what most students learn. Its stereotypes about students are mostly slander. Worse still, it promotes cynicism and closes minds.
This spring, I’m adding a new course to my repertoire. It’s a single-semester class called Composition. The advanced track of a first-year writing requirement, it focuses not on basic prose but on rhetoric, or “making effective contributions in writing to intellectual discussions, academically and in other cultural settings.”
In other words, this course will initiate new undergraduates into academic rationality.
This is exciting. No, that’s not strong enough. Planning this course is really, really fun.
Continue reading “Building a First-Year Writing Course”